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Friday, October 15, 2010

HINDSIGHT is 20/20

Lorna Simpson and daughter Zora



I've admired Lorna Simpson since I was introduced to her work in one of my Art classes during undergrad at Clayton State University. Simpson's work instinctively breaks down the anatomy of the black female body (in my examples), labeling each section with a purpose or a reason for existence; similar to the way in which slave owners categorized their slaves for property appraisals. It's a practice that still digs its claws in to the 21st century. Simpson will always be relevant because she questions the necessity of labels by using them to define who we are. If that's not a stroke of genius, then I don't know what is...






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